Disney’s Land by Richard Snow, part 1: A supportive history

This is my first post in a series of planned posts about the book Disney’s Land by Richard Snow. This series of posts will constitute a kind of “book review”, but perhaps not a typical one. My goal is to just explore my subjective reactions to the book, how the subject intertwines with my own history, and “have a discussion” about it all. My goal is not to help you, unknown reader (human or AI), to decide whether or not you should read the book, nor to describe the book’s contents at length (just read the book if you’re interested enough).

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Muhammad Ali and the meaning of Self Respect

Cassius Clay, 19, running by pier, Miami, Florida. Circa 1961. Flip Schulke.

I recently started watching the Ken Burns film on Muhammad Ali (I tend to watch things in 20-30 minute chunks, so I’m not done yet). Even after having watched just the intro, I had some thoughts I wanted to share. Consider this post similar to those “reaction videos” you see on YouTube, but a serious one.

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Abstract photography

(Really, this is about abstraction in visual media in general — photography, painting, illustration, etc. — but I will focus more on photography).

I’m not officially schooled or trained in art theory, but my homespun definition of abstraction is very direct:

Abstraction is when the composition is more important than the subject.


To me, this is the perfect definition. I am very proud of it, and I believe it’s much better than conventional definitions. For example, the Tate website entry on abstract art says: “Abstract art is art that does not attempt to represent an accurate depiction of a visual reality but instead use shapes, colours, forms and gestural marks to achieve its effect.” IMHO that definition is anchoring too much in representation. What’s more important is what is the piece about: itself, or the subject?

Here’s one of my photo abstractions:

Plant and Table, 2021

There’s nothing life-changing about this photo, but it’s still a good example of abstraction. It’s not about the plant, or the table, or the restaurant. It’s about the composition. The curvy shapes of the plant contrast with the geometric shape of the table, which contrasts with the round shape of the planter and pot. The green of the plant contrasts with the yellow of the table, but there is yellow in the plant as well, so they have a connection. Both yellow and green contrast with the blue/gray of the wall and floor. The corner of the table sort of “points” at the plant. And so on.

This drawing of bulls by Picasso is my preferred example of abstraction:

Pablo Picasso, The Bull — 1945 (borrowed from the Internet)

The less lines and value used, the more you just enjoy the fundamental shapes and pieces of the bull rather than thinking about the bull.

Notice that abstraction leans on ideas of minimalism — namely, the idea of less — but is separate. Jackson Pollock was an abstract expressionist, although he sure slung a lot of paint around and is not often considered a minimalist. But he did use less, in the sense of less discernible shapes.

Astute readers will note the previous Picasso example is not a photo. That’s ok, it’s still the best example.

Some photographic subjects, such as sand dunes, slot canyons and various funky angles of architecture, also support abstraction well. Macro photography of surfaces and textures has the same effect.

In short, IMHO part of being a photographer is trying out abstraction and seeing if it works for you. A lot of photographers (e.g., on Instagram) stick purely to representation, and that’s fine, like a preference for mostly green or blue shirts.

Harry Benson CBE on spontaneity in photography

Beatles pillow fight, 1964

“I dislike studio photography because it’s not spontaneous. Anything you could go back and do five minutes, five months or five years later is not a great picture; you’ve lost the spontaneity… Studio photography is not really photography — it’s dress designing.”

“To me, a good photograph is a glimpse and gone forever. It can never happen again; it’s spontaneous. The Beatles will never have another pillow fight…”

Harry Benson CBE

This quote is from the October 2021 issue of Digital Camera World. I don’t single-mindedly adhere to the quote’s ethos, but I understand, respect, and try to harness its point of view.

There are many ways to analyze the practice and history of photography. I’m an armchair art historian, but I do believe one of the most fundamental axes running through photography has staged photography at one end of the spectrum and spontaneous photography at the other.

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Kanye West portrait (work in progress)

I started working on a portrait of Kanye West back in 2017, but I never got around to finishing it. Now, I haven’t finished it quite yet, but I did make some progress that I wanted to share:

Kanye West, illustration © copyright 2021 Peter Skirko, all rights reserved.

Big thanks to Serif for making a very nice Illustrator alternative in Affinity Designer. I found it quite intuitive to use, which is not an easy feat for a vector illustration app.

The work so far needs various technical fixes, but the vibe is there. Now, he just needs an upper body and a nice background.

Big-Box Rebound: How Target Packaged a Turnaround

The opinions stated here are my own, not those of my company.

I recently read the article Big-Box Rebound: How Target Packaged a Turnaround. It’s online, so read it yourself too. It was originally published August 2019, so it’s not exactly new.

The tl;dr of the article is summarized in this chart:

From https://fortune.com/longform/target-retail-big-box-turnaround/
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5 principles for managing and optimizing your tech career

The opinions stated here are my own, not those of my company.

© 2021 Peter Skirko. All rights reserved.

Whether you already have a blossoming career in tech or are trying to “break into the industry”, congratulations, and get ready! A career in tech is both rewarding and perilous. Here’s why.

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